Sound of Silence

 

This morning I dreamed vividly of Judy Renee Pope.  I can only dimly guess what might have inspired such a visitation.  This event was one more reason for blogging about this horse, which I've been meaning to do for some time.  I've named him Sound of Silence.

I had been going through my herd's file box for some totally other reason and ran across his card.  Some of my horse's cards have little stories on them, but his took the cake.  The back is entirely full.  I sat down and read it.

[front side] "Pearl finish 11" Hartland Regal Arabian stallion.  In poor shape, with curled hind legs.  Purchased at BreyerFest '99  from  a redhead in the 400 hall  for $75.00.  EJH said this was too much -- 'they're not that rare' -- but the owner didn't want to sell -- had the horse a long time & a favorite."  [ed. note: EJH = Eleanor Jones Harvey]

[back side]  "Early in 2000 (or earlier) I took this horse in the shower and soft-fingernail'd off most of his black marks.  When what to my wond'ring eyes should appear:  I had also removed much of the top layer of paint  :(

"on what was already a very battlescarred horse.  In February 2000 he was delivered unto Eliz Bouras (at the WCDT MHS in Chambersburg) for selective repainting.  I wanted to restore the main body, but retain the wear & tear towards the outer edges, 'to honor his history.'

"0101.02 [January 2, 2001] Returned.  She had indeed exactly matched Hartland's pearl.  :)  But dust, dirt & lint had gotten into the fixative.  Judy P. repaired this (god knows how) and he arrived w/ smears of grease & small hairs clinging.  There is now dark lint embedded on his back and sides.  I have been handling & cleaning slightly & hope he will become smoother & glossier with time.  His color is fantastic."

I am sorry to say I have completely forgotten what WCDT stood for.  //  All these years later, I can hardly find any 'dark lint' at all.  He still seems an incredible example of what a master pair of artists, Liz and Judy, could do in response to a most unusual customer request, one that cannot have been easy.  Sound of Silence is a rare piece (sorry, Eleanor, I have not seen another in over 20 years) and I am privileged to have him.

As for dreaming about Judy, I think going over Ardith's VCMEC results last night had something to do with it...  I was reading all those old familiar names, hers amongst them, and thinking about my small collection of remakes/rehairs.  I have a couple of Bouras/Pope collaborations besides the Regal pearl.  Maybe someday I can blog about them.

Progress Report 1: Meet the Eight

 

Progress is being made on my long term tack-like project of the next book.  It is definitely slow going, ... no surprise there!, ... but, indeed, things are progressing.  Particularly on Malaguena's bridle (above, on Fancy) I am well past the half way mark.  I've been here once before, writing my first book in 1998.  (Twice if you count 2016 and the pdf-ing of the Guide.)  Unfortunately, or possibly fortunately (!), like so many of my greatest pieces, this one is running away with itself.  My book is getting bigger and bigger, more grandiosely ambitious, by the day.  I am very grateful to my incredibly understanding sponsor of a spouse.  Like Jagger, I can't complain,... but sometimes I still do.

Belatedly it has dawned on me I could put out progress reports.  Shouldn't you all at least see the eight pieces, when one of the goals of the book is to spread their fame near and far?  to broadcast them as widely as possible?  to make them more available...?  Advertising!  I'd had no problem posting pictures of the drafting table on FB!  Here's one of those:

You can see the actual tack, in this case April's Hackamore, lying on the drafting board.  I could follow the precedent of the 20 Mule Harness progress reports, except I'm not going to aim for every week, (it's been somewhere around 32 weeks already).  I decided to just put up 8 pictures of the eight pieces of headgear.

Seventeen pix later,... (!) ... I'd discovered I hadn't processed some of those photos; I didn't know where (or when) some of them were;  I found others I'd totally forgotten; and, in one case, I'd never photo'd the piece at all, even after 12 years -- !!!  Well, thank heavens the weather has finally been so nice today.  I hustled Rinker and his hackamore out onto the deck and shot him.  He's still wearing it, looking dazed, ... as well he might.

Here are the eight headgear pieces in order, or, at least, in the current plan of order.  Ricky's Bridle is first.  This piece is based on the full scale bridle of (the real) Ricky Rocker. 

I think it's the easiest of the 8 to make.  It features slit braid cheekstraps and browband.  Here's my Sheila, named Gold Dust, wearing it and a matching saddle [by Terry Newberry].  While the book should have saddle-applicable braiding instructions in it, like Spanish Edge Lacing, it is not a book about saddles per se.

Second is Duke's Hackamore, the perfect training Bosal Hack.  His is straightforward working stuff:  the Fiador and Hackamore knots.  His bosal is even more primitive than the one in the Guide.

Thirdly, and what I'm working on now, is Malaguena's Braided Rawhide Bridle.  This piece has thrown me for a loop.  I've been involved since last fall trying to get up to speed with all that this piece represents.  Its consequences are enormous.  Rendering down instructions for it has been like writing a miniature book within a book.  I'm hoping that afterwards, I can move faster on the others, since all of them, in one way or another, use techniques and skills first introduced with it.  Malaguena's has definitely been taking the lion's share of my time and effort.

Malaguena wearing her bridle

Some of these photos will be in the book; others, not.

Picking myself up off the floor after that overwhelming effort, I suspect the Peach Rose bridle will be next.  Although it is simpler than Malaguena's, it has to come after hers.  It was made in 2004, and will explore alternate materials (read: embroidery floss instead of artificial sinew).

Here is a photo of Tissarn herself which I had totally overlooked.  It was taken on the back deck during springtime,... you can tell from the flowering tree.  How desperately we are all longing for spring,...!  The saddle is also called the Peach Rose, TSII #446, built in 2008.

For those of you who are curious about where I got this name, Tissarn, the answer is Richard Adams' novel Shardik.  It's a place name, a town on the river Telthearna.  Although some of his names are borderline bad puns, others are incredibly beautiful and well worth pinching for a horse.

Moving on to the fifth piece, we are back in the world of hackamores.  Indeed all the remaining four are hackamores:  three bosals and one mechanical hack.  This one is called April's Hackamore and it's the one I hadn't processed the pix of just yet.

April's Hackamore was made in December 1996.  The mecate was disassembled and re-spun in 2007.  Just to be confusing, this horse is not April.  I no longer own April.  This is Kiopo Quitamancha who is standing in for her, ... they had that lovely color of apricot dun in common, and both are Indian Ponies.

The sixth piece is the famous Fancy's Hackamore,  already thoroughly blogged about in 2015.  What you see here is the original, which was unfortunately lost that year, starting the whole saga of posts about it.

Hopefully you can see how the detail and complexity of the pieces is increasing.  We shall see if I am really up to carrying out this ever-more-audacious dream of not just documenting them but instructing how to replicate them!

Seventh in line is Tissarn's Mechanical Hackamore.  This truly lovely piece just happens to be my favorite of all the 8.  Indeed it is my favorite headgear piece of all I've ever made.  Viewing it now, I shudder at the thought that I haven't even started the braided buttons chapter yet!  There were some serious baulks to doing this book:  I didn't know how to pass on something I'd learned from the full scale braiders and then practiced and refined for decades.  However, at least one baulk is gone:  I'm finally ready to try.  Drawing up Malaguena's has actually been a relief:  there was a way forward, even if it is convoluted and rabbit-holey.  Yet writing up button formulae is only half of what's left.  I've still got to explain how to follow them and what they mean.

This lovely piece, uniquely for my tack, traveled to Europe during construction (a family trip in fall 2007) and then further traveled to FL in December.  It was finally finished in January of 2008.  This is just about the most beautiful pair of Romal Reins I own.  The decoration in the middle of the shanks is just that:  ornamentation.

Here's a photo that probably won't be in the book, but which shows the entire piece.  The hackamore on the left was sold to Jennifer Buxton.  The right is Tissarn's Mech Hack.

 

The color is a bit better in this photograph.

 

The last of the 8 pieces is Rinker's Hackamore.  The earliest picture I can find is this one, showing the bosal and the mecate (left).  The bosal was made first, in 2007 (replacing an earlier one);  the fabulous mecate was made in 2009.   Someone in the hobby said it reminded them of Anasazi art, and the name stuck.  I have blogged about this black-and-white mecate in May of 2014. 

 

The black and red bosal was inspired by a magazine clipping showing a full scale one.  In 2011, I looked at the bosal and the Anasazi and said I needed a headstall to tie the two together.  Thus was created one of my favorite Bosal Hacks, initially known as the Anasazi and only later, after Rinker was born (2015), given to him and referred to by his name.

Clearly I needed to do this research!  My Braid Scrapbooks show only part of it.  Here's the last two shots of Rinker's for today.  Ignore the way the horsehair tassels have been aged into bending all funny;  some got wet, dried that way and I haven't yet been able to fluff them up again.

 

I need to explain that browband concho.  I made it myself from Argentium and solder.

The title of the book will be "Advanced Braidwork for the Model Horse."  I don't know when it will be done, but I'm having a blast working through the challenges.  The satisfaction is deep.

Chincoteague Pony Pins, plus Unicorns

 A most pleasant premium has arrived:  Chincoteague Pony pins sold to benefit the Sea To Bay model horse show!  There are a total of 4 pin designs to choose from.  In addition to the two you see here (the mare and foal count as one pin), there is also a lying down pinto foal and a cantering chestnut filly.   Difficult choices!  I'm going to include a link to their order page later in this post;  I believe these pins are still available.

I'm not sure how I first became aware of these little cuties.  On my FaceBook?  On the Model Horse Sticker Swap and Shop FB group?  Around the second week in January, Jeanette was messaging me with "I thought you collected pins."  [Jeanette Eby, hostess of Sea To Bay]  Somehow she didn't explain;  and since I was on the road at the time, I couldn't make purchases.  It wouldn't've helped if I could've;  the notice, when I saw it, was only for gauging interest.  The seller was trying to collect advance commitments.  Yet these pins instantly intrigued me.  Mink and Breyer are not the only sources of lovely enamels.  It took some hard thought, but I made my choices and committed to a future order.

All these pins carried a freshness and clarity that seemed to blow straight off the Atlantic.  They are small -- the walking mare here is only an inch and a quarter in length;  the pinto filly is an inch high.   Their prices were equally small:  Each equine was only $12.  The mare and foal were $25. 

 

 

To someone used to Mink's beautifully detailed horses, these might seem abstract.  But therein lies their artful charm.  I find them refreshing.  Their conformation is correct, their colors true to the ponies.  Each one recognizes an actual Chincoteague Pony.  As pins, I found them well made, with crisp edges and rich gold and silver metal -- gold for the black and chestnuts, silver for the white & red pinto.  There was something appealing here -- a wild beauty, for a good cause.

The artist's name is Isabelle Pardew, of Hummingbird Circle Studios.  Here is the order page for the Chincoteague Pony pins, and much other Chincoteague Pony artwork as well!

 

Chincoteague Pony Pins and Prints

 

Here they are next to a couple of my Mink Dancing Horses.  This gives you an idea of their true size:

 

 

but who says little horses aren't just as appreciated!  This may be as close as I come to collecting minis and micros...!  We shall see, ...

In the meantime, the latest Imperial Unicorn arrived right alongside the Chincoteagues.

 

This is Azuriel, "Copper" of the metallic Imperials.  The edge metal is copper and so are all the rims.  With this pin I learned that the eyes of this series are often solid metal.  The screen-printed dapples are a delicate feature in an otherwise solid-colored animal.  Yet, typical of Mink's Unicorns, the mane and tail are incredibly bouffant, giving this pin great character.  

Here is my collection of every Unicorn pin Mink has produced so far:  Two originals, two Celestials and three Imperials.

 

 

My camera has made the Moon Mystashani into a golden morsel, but she is really silver.  I confess the Celestials are always going to be my favorites.  Still, the two oldest, the original Unicorn 1 and II, have a strong power of their own.  They came out by themselves, with no precedent, driven by who knows how much daring and desperation!  I am very glad to have them.  They paved the way for so much and so many to follow.

 

Of the three Imperials, each one is different.  Anuksamet, with her Bismuth rainbow coloring, is certainly striking;  while Mishkazelle (Rose Gold) is my top choice for glitter (unfortunately not shown well in this photo).  Azuriel, then, celebrates only copper.  But it is a very pure metal, and that royal blue background compliments it gloriously.

 

Translating the Imperials into pins is hard work.  I hope I can continue to be lucky enough to snag each of these beauties as they make their way into the world.

Queenie's 1st Harness

 I swear I didn't realize, when I was choosing these photos, that they were taken 40 years ago, down to the month.  But on the backs it clearly shows:  2-83.  (Where does the time go??!!)   I wanted to revisit this oldest TSII draft harness, which I remember with great fondness (not counting the truly primordial strap-goods outfits I made for my dapple grey Clydes -- more on those later!).  I apologize for perpetual slowness in blogging, so sorry.  I found and scanned 4 photographs of this old harness and then went and scanned the Scrapbook page about it, with its 2 more.  I have always loved this mare, one of my earliest Special Runs.  Her name is Queenie.

According to her registry card, Queenie arrived in July of 1979.  This was only a month after I'd officially opened my mail-order tack shop, the Timaru Star II.  Back then, Breyer was just venturing into the waters of Special Runs.  The models were available through the mail from select dealers.  You wrote a letter, enclosed a check and snail-mailed your missive off into the void -- Bentley's was the dealer for this particular horse.  The living hands of the Post Offal network carried your order, and the awareness that Chicago was 3 days away from Boulder was common knowledge.  (I have a memory of talking to Peter Stone at some live show in the early 80s, asking for the dapple grey Clyde Foal, to go with the Stallion and Mare.  Needless to say, that foal appeared -- !  though not in the numbers we would have preferred.  Queenie has her baby still.)

I don't have much explanation for why these photos are such different colors, though I've tried hard with PhotoShop to bring them into the 21st C.  I do know this reddish concrete is the south-facing foundation of my Boulder CO home.  The dead grass supports the evidence it was February,... it's a slight mystery why there wasn't any snow.

The hames, tugs, large gold buckles and harness brasses found on this ancestral harness were all imported from England, manufactured by Lenham Pottery.  At the time I was not importing them myself, but getting them from suppliers who did;  Cheryl Albelson's Heather Hills Miniatures was one such.  I knew of no American company who made these things.  The ribbons I did myself, using thin wire.  The cart was also a sort of import;  it was made by the German toy company Steha.  It had appeared in our local toy store with a flocked bay horse on rollers and a fantastic riveted plastic harness -- a lure irresistible to me.  Bagging that cart took me what felt like a year of saving, planning and begging my parents for a supreme gift.  I still have it -- though over the years both shafts broke and I mended them with sheet metal splints and lots of string wrappings.  The green pinstripes, faintly visible, I put on myself with drafting-class graphic tape.

I am pretty sure these two photos were taken on the south lawn of our Boulder house.   I can just barely remember the evergreens in the background. 

There were other harnesses being made at this time;  Queenie's did not exist in a vacuum.  I was making Fine and Pleasure Harness, and I'd gotten hold of another cart, made by Ken and Pam Messman, in c. 1979.  But Queenie's was the first complete Draft harness that I made and kept.   On hers I mastered the padded collar;  it was sewn out of very thin leather and stuffed with sheep's wool.  The bells, visible in the center of the saddle, were what is called 'camel bells,' hung from a wire frame.  I must have gotten those in an early (if not my first) trip to the Tucson Gem Show. 

In February of 1983 the Timaru Star II model tack shop had been a going concern for almost 5 years, and I'd learned how to make harness.  Still, draft harness was a big challenge.  Alongside silver Parade sets, they were the most expensive pieces on the pricelist.  These photos were taken on the front planter.  

Dipping into my first Harness Scrapbook, I find evidence that this cart was in my possession as early as c. 1976.  I copied the Steha harness with a riveted one made out of suede purse leather in c. 1977.  A year later I had a good black lace harness, with a folded leather collar,  on a PAS, with the same wooden cart.  This draft harness was, indeed, my first;  the label on its page tells all:

"Queenie's Harness -- a landmark.  Probably made over the winter of 1982-1983.  Photo dated 2-83.  Brasses from Cheryl Abelson;  buckles and hames gotten through Liz Bouras.  The chest drop, saddle, collar & backdrop are still in existence --- 1992"

Here's a close up:
 

Hopefully in the future I can share more pages from this Scrapbook.

More Mink Loot, & Etc.

 

Of all the many subjects I could blog on -- book work, Florida canoe trips, early TSII harness -- more Mink loot is the simplest, and always fun to boot!   Honestly, I think it's because there's only a few pictures that I'm choosing them -- time seems in short supply this month -- but there's a wide variety of art here.  As ever, a Mink order amazes me with its beauty and inspiration, and this time there's some of her Zazzle product as well.  The 'etc' refers to a news paragraph and couple of pix down at the bottom, after all the pins.  This seems to be a pattern here, so bear with me.

Here's the opening shot (yes that was a pun):

Two Minkiewicz purple padded envelopes, a flat box that happens to be a t-shirt from Spain, and a large yellow envelope with my Zazzle order of placemats for both self and friend.  I'd better explain that the (Draco Ideas) t-shirt is for the wargamer in the house (they really are nice t-shirts, I have some, and they're cheap!), and we'll leave it at that.

Spread out together:

This is the first time I've ordered placemats from Mink's Zazzle.  A dear friend wanted some of the Christmas ones, and I decided to horn in on the order since I'd always wanted one myself.  They are amazingly colorful and plenty big.  I was a little surprised by how thin they are:

but the image is printed on both sides.  They are glossy and smooth, and just how thick do placemats have to be, anyway?  As an added surprise, the image on the back of the one for me was different from the front.

This caused a moment of disorientation, but it was mercifully brief.  Moving on to the pins, I knew one was Dakkaar the Black Pegasus, and the other -- oh joy! -- was my PinUltimate Sale package.  I had decided to invest in these lovelies as trade bait.  Note to Sarah:  You do know that "penultimate" means "next to last,"--??   So this can't really be the last time you pull off such a sale, eh...?  hint, hint,... !

I was very pleased with my luck-of-the-draw.  An Ad Astra!  A purple Runequine -- Talisman 1 no less.  And oh boy, to my almost-shocked amazement, the Manchado Cave Pony -- the very one I'd made myself pass up when I could only buy two, -- but which had been a particularly close third place for me, (behind the Appaloosa and the Rose Grey).  I'd known all along there was a risk of getting one I'd want to keep,... and here it was.

The Quagga sticker was delightfully welcome.  That is a design I've loved -- I think it is very stylish, a classic and timeless Mink.  A glitter sticker, the dragonlike seahorse (hippicanthus, facing downwards) joins my collection.  In traditional recycling fashion, I even saved the PinUltimate sticker on the package... it's hard to outgrow my 1970s training.

The Ad Astra and the Talisman pin will be up for trade.  I am looking for Bastian and Trinka, early Dancing Horses pins.  I also have a Runicorn (gold/blue) and a Sammy for trade or sale.

The Talisman horse has glitter in 3 of the 4 tiny green circles.  You can't see them in the photo, but trust me they're there.   Only the head has none,... maybe because I haven't looked closely enough.

The final pin to be looked at, of course, is Dakkaar, he whom we have waited for since last June.  I swear sometimes I might be buying these pins just so I can try to photograph them!  No, that's not the only reason, but it sure is fun to try.  Dakkaar was particularly challenging because of his color.  Any light that brought out his feathers also risked reflecting in great washout fashion.  I'm not sure how I succeeded.  I do know it took multiple tries.  The first try wasn't too bad.  It got his offside wing:

That blue on his face is not an eye, but a star.  My second try netted the near wing a wee bit better.

This is slow going.  Somehow my third shot stretched out his off wing.  Even distorted, the image is fabulous, unforgettable.  The star really looks like an eye here.

In finale, I'm happiest with my fourth shot.

He is really a remarkable pin.  Thank you, Sarah; and praise to the manufacturer too.  I will always love these.

************************* 

In other news:

I haven't joined NaMo / InMo, not publicly anyway;  but I have been using the energy and ideas for my own purposes.  Ever since returning from Florida I have been frantic to resume work on my next book.  ("Advanced Braidwork for the Model Horse.")  It took a couple weeks to clear off the decks (I was busy organizing and saving over 1700 emails, for one thing).  Finally a few days ago I started again. 

 The book itself is a braid, combining drawing, text and photographs.  It attempts to cover, in exhausting detail, the construction and techniques of 8 pieces of braided headgear, made by the TSII across 32 years (1984 to 2016).  I'm already worrying about not being done when I hope, which is now November of this year, the 25th anniversary of the Guide to Making Model Horse Tack.  This dream, so long held, is taking precedence over any horse, even Coney Eye the beautiful!  In a way, this reflects the very first NaMoPaiMo for me, in 2017, when I was making a Parade blanket during the month.   I succeeded then, feeling very daring.  This time around I'm happy just to be working on the book at all,...  I finished a Plate (full page drawing) the other day,...  and I'm always happy to see the gorgeous horses that are born during the event.  Yes, I am watching!  Cheers and encouragement for all involved, in whatever way they can be!

We will finish with a single peek at my latest Florida trip.  This is Caxambas, my new Chadwick, surveying his domain down in Collier-Seminole State Park, standing on the prow of the canoe.  He's wearing Fancy's Hackamore, ... one of the 8.

A lot of pictures and movies were taken of our 5 paddle trips last month.  Here's hoping for time.