Advanced Braidwork for the Model Horse

 

Finally!!  At the end of August, my great long dream has come true, and my next book is finished.  For the record, it was uploaded the evening of the 30th.  For the record, my hours chart shows work began on July 1, 2022, just one day after my husband officially retired.  (Not the 22nd, as previously claimed.)  So it really has been 3 years 2 months.  The truest way to think of the time frame is ask when I started braiding model tack.  Answer:  circa 1974.

Here's a link to the book's own page, with all its information:  Advanced Braidwork for the Model Horse.   And this is the back cover.

In a nutshell:  393MB, pdfs only, 225 pages, 324 photos, 47 Plates, $27.99 via PayPal.  

 

If this post is slightly wandering it's because I've put most of my publicizing efforts into the book's website page, into the TSII website Timaru Star II and into the seven (7-!!) previous blog posts.  I'll list them below.  Think of this post as a Bonus disc, like what you get with DVD movies:  extras and cutting room floor stuff.   Most bonus tracks make me want to watch the movie some more, so that's a good analogy.

Or you could say that since I've done Progress Reports on all the chapters, this final report is about the front and back covers. 

Meet the Eight,  Progress Report 2,  Progress Report 3 Peach Rose,  Progress Report 4: April's Hackamore,  Back Cover Progress (Report 5),  Progress Report 6:  Rinker's Hackamore,  Progress Report 7: Tissarn's

On the last day, one of the things I was doing was finishing the front cover.  It was exhausting.  It reminded me of finishing painting Marimba, my 2020 NaMoPaiMo Perlino Teke mare.  Marimba Finished:  the elaborate and troublesome dance of adding color and then taking it away.  I've learned quite a few new PhotoShop tricks in the course of this book!  I've learned that while I truly love digital painting, it is a skill that I should dabble in rarely.  It is physically stressful on the body, especially my hands and arms.  I was perched on the edge of my chair for days on end,... having a ball.  Digital creation is real.

The back cover came out beautifully.  It took longer than the front, but it fulfilled the requirements I had listed back in March:  Advertisement, index, promise and ornament all in one.  I could fill this whole post describing the various jugglings and re-shoots!  Five versions it went through.  But I'll restrain myself to mentioning that both the Peach Rose (right hand pinto) and Rinker's (left hand leopard App) got themselves re-shot.  

The choice of portrait for the Peach Rose bridle, a horse named Rayonnant, was influenced by this earlier shot of Fancy's hackamore.  Fancy's was so interesting it moved me to post on FB, but it did not wind up in the book.

There is something striking about photograhing the Ideal Stock Horse head-on.  Depending on how they painted the eyes, it either works hauntingly wonderfully or it doesn't work at all.  I wanted that bridle to show as much as possible and yet fit into that tiny narrow space.  I think it helps with the overall clockwise flow of the entire ensemble.  Besides, I just couldn't get the ISH to fit positioned sidewise.

I have a sneaky suspicion the Peach Rose might prove to be the most popular piece for people to try.  It is the 4th piece, being neither too easy nor too hard;  and alone of all of them, it is made of embroidery floss.  Mostly!  The buttons are braided thread of course,...  You'd still have to find the Hill Tribes Silver beads, or an equivalent for them.  But the basic design, with the button-and-loop bit heads and the round-braided browband with its flat braid ends, is robust.  (Meaning, accommodating to various interpretations and skill levels.)  Everybody likes braided floss reins because they drape so well.  The leather lace throat and curb are there to make this bridle easier than a fully-braided one.  And there's only 3 tassels!  

The front cover was an exercise in artistic pride.  As I've told earlier, the vision of it came to me in a dream.  When the time came, I photo'd a bosal and then drew it from the photo, similar to Tissarn's and Malaguena's drawings.

 In a twist of fate, it was Dry's.  Dry's Orange Hackamore  At the time of the dream, I'd thought I'd've made a superb bosal hackamore by the time I wrote the book, and could feature it on the cover.  But the timing was such that I used Rinker's Hackamore instead.  Yet the book took so long to complete that Dry's was in existence by the time it was finished.  So I put his on the cover, and also in the Photo Gallery inside -- Chapter 8 -- a bare 3 pages of what I've been calling "a regrettably very short coffee table book of TSII tack."

When it came down to it, Rinker's was just as fine a choice.

His level of detail and construction techniques had certainly reached the stage I was after for the book.  For most of the time of writing, I thought his was the hardest, and thus placed him last on the clock of the back cover.  But as told in Tissarn's, I changed my mind.  So the back cover remains as is, artistically perfected but not accurate.

The reception has been all I could have dreamed of.  Thank you all, so very much. 

So what's next for the TSII?  The website has been updated -- that which happens only every two years or so!  The Tack Sales Info page, what used to be the schedule of orders, has been dusted off and returned to service.  At the moment I'm well aware I don't know when I'll start or finish any of them; the schedule is only an outline.  But those orders have been accumulating for years, for just this day.  The Guide (1998) freed me from having to do basic tackmaking stuff, allowing me to explore more detailed pieces.  The Abaft is different.  I fully intend to keep on braiding at this level!  But I also know that the Muse has a way of making itself known.  I'll be watching for it with interest, along with the rest of you.  Any pieces born outside of the current crop of orders will be offered at auction, and you'll hear about them here.